MARC details
| 000 -LEADER |
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| fixed length control field |
02613nam a2200229Ia 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230203s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
978-0714870465 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
ARCH |
| Item number |
BUC |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Buchloh, Benjamin H. D. |
| 245 #0 - TITLE STATEMENT |
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| Title |
Sarah Sze |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
. |
| Name of publisher, distributor, etc |
Phaidon Press |
| Date of publication, distribution, etc |
2016 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
160p. |
| Dimensions |
25.4 x 1.59 x 29.21 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Sarah Sze (b. Boston, 1969, lives and works in New York) has developed a sculptural aesthetic that transforms space through radical shifts in scale, colonizing peripheral spaces, engaging with the history of a building, and altering the viewer's perception and experience of architecture through large, site-specific interventions. Known for her unexpected and carefully arranged combinations of materials, from cotton buds and tea bags to water bottles and ladders, light bulbs and electric fans, Sze has presented ephemeral installations that penetrate walls, suspend from ceilings and burrow into the ground. Her work exists at the intersection of sculpture, drawing and architecture where her formal interest in light, air and movement is coupled with an intuitive understanding of colour and texture. Like the scientific instruments of measurement they often reference, Sze's sculptures attempt to quantify and organize the universe, ascribing a fragile, personal system of order. Within her practice, sculpture becomes both a device for organizing and dismantling information and a mechanism to locate and dislocate oneself in time and space. Sze received a BA from Yale University in Connecticut in 1991 and an MFA from New York's School of Visual Arts in 1997. She is represented by Tanya Bonakdar in New York and Victoria Miro in London. In 2013 she represented the United States at the 55th Venice Biennale. She was the recipient of a MacArthur Fellows Program Genius Grant in 2003 and of the AICA Award for Best Project in a Public Space in 2012. Her work is well represented in important private and public collections worldwide, including those of New York's Guggenheim Museum, Museum of Modern Art, New Museum, and Whitney Museum of American Art, along with the Museum of Contemporary Art, Chicago, 21st Century Museum of Art in Kanazawa, Japan, Walker Art Center in Minneapolis, Boston Museum of Fine Arts, High Museum of Art in Atlanta, GA, and the Los Angeles Museum of Contemporary Art. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Architecture |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Contemporary Art |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Sculptural aesthetic |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Sculptures |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Theory and criticism |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Enwezor, Okwui |
| Relator term |
Co-author |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Hoptman, Laura |
| Relator term |
Co-author |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Item type |
Books |
| 300 ## - PHYSICAL DESCRIPTION |
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| -- |
Paperback |
