The Archival Gaze: A Timeline of Photography in India 1840s-2020 (Record no. 1530)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01977nam a22001577a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 230429b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 978-81-928037-5-3 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | VICL |
| Item number | SIN |
| 245 ## - TITLE STATEMENT | |
| Title | The Archival Gaze: A Timeline of Photography in India 1840s-2020 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | India |
| Name of publisher, distributor, etc | Kiran Nadar Museum of Art |
| Date of publication, distribution, etc | 2022 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 440 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "‘The Archival Gaze’ draws a timeline across technological changes and aesthetic movements in photography on the subcontinent, from India’s avid embrace of photographic processes in the 1840s to the contemporary moment which has challenged and expanded conventional practices within the field, this volume. In its ambit it covers colonial anthropological projects, the culture of the salon, the rise of the individual photographer marked by invention, the protean making of the gaze and the transformation of the photograph into a haptic, ritual object, as well as its recent expansion into the world of art and intermedial practices. The citations from scholars, critics and practicing photographers provide insights into the critical writing that has accompanied the text gives us an insight to photography criticism as it unfolded. Useful information on the making of photographic societies and associations, exhibitions, publications, technical interventions along with a discussion of seminal debates, controversies and series enrich the volume. The accompanying images include formal and informal portraits of communities and individuals, overpainted images, travel photographs and postcards, cabinet cards, collages, popular film posters, lobby cards and advertisements, photojournalistic documentations of political events and personalities, industrial and architectural photography, photo books and installations, and stills from film and video series. These form a layered visual compendium that enriches this encyclopedic study."<br/> |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Photography |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sinha, Gayatri |
| Relator term | Editor |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Permanent location | Current location | Shelving location | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Koha item type | Coded location qualifier |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Arthshila Ahmedabad | Arthshila Ahmedabad | Cluster: 3O | 29/04/2023 | VICL/SIN | BK01565 | 29/04/2023 | Books |