000			01944nam a2200217Ia 4500
008			230203s9999 xx 000 0 und d
020			_a9783037786079
082			_aVSCL _bFLU
245		0	_aColor Mania
260			_a. _bLars Müller _c2019
300			_a240: ill. _c16.2 x 1.9 x 24 cm _rPaperback
504			_aSince the earliest days of cinema, film has been a colourful medium and art form. More than 230 film colour processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalised numerous techniques such as hand and stencil colouring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of colour processes, film and photography also share and exchange colour attributions and aesthetics. This publication highlights material aspects of colour in photography and film, while also investigating the relationship of historical film colours and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of colour underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Color Mania contains a general introduction to colour in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and colour systems and continues the aesthetic experience of the various processes and objects in book form.
650			_aAesthetics
650			_aEssays
650			_aFilm and Photography
650			_aVisual Culture
700			_a Flückiger, Barbara _eEditor
700			_a Hielscher, Eva _eEditor
700			_aWeitlisbach, Nadine _eEditor
942			_cBKS
999			_c425 _d425