000			01900nam a2200181Ia 4500
008			230203s9999 xx 000 0 und d
020			_a9780807831359
082			_aCRFT _bRIS
100			_aRisatti, Howard
245		2	_aA Theory of Craft: Function and Aesthetic Expression
260			_aNorth Carolina _bThe University of North Carolina Press _c2007
300			_a352: ill. _c‎ 15.24 x 3.18 x 24.13 cm _rHardbound
504			_aWhat is craft? How is it different from fine art or design? In "A Theory of Craft", Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. "A Theory of Craft" is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
650			_aArt and craft camparison
650			_aArts and crafts
650			_aDesign philosophy
942			_cBKS
999			_c628 _d628