000 | 01767nam a2200241Ia 4500 | ||
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008 | 230203s9999 xx 000 0 und d | ||
020 | _a9780824835255 | ||
082 |
_aARTS _bHIN |
||
100 | _aHingorani, Alka | ||
245 | 0 | _aMaking Faces: Self and Image Creation in a Himalayan Valley | |
260 |
_aNew Delhi _bNiyogi Books _c2013 |
||
300 |
_a160 _c8.3 x 0.8 x 9.3 inches _rHardbound |
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504 | _aTaberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill-villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons. Making Faces is an original and evocative account, superbly illustrated, of the various phases in the lifecycle of a mohra, at different times a religious icon, an art object, and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history, and South Asian studies. | ||
650 | _aArt | ||
650 | _aCulture | ||
650 | _aIndia | ||
650 | _aKulu district | ||
650 | _aMohras | ||
650 | _aReligious life | ||
650 | _aSculptures | ||
650 | _aSociety | ||
942 | _cBKS | ||
999 |
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