000			01697nam a2200217Ia 4500
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020			_a9788189995041
082			_aARTS _bDEH
100			_aDehejia, Vidya
245		4	_aThe Body Adorned: Dissolving Boundaries between Sacred and Profane in India's Art
260			_aAhmedabad _bMapin Publishing _c2009
300			_a238 _rHardbound
504			_aThe sensuous human figure, elegant, adorned, and eyecatching, was the dominant feature of the artistic tradition of pre-modern India. The body in the Indian tradition is always the body richly adorned. Alamkara or adornment protects the body, making it complete and attractive; to be unornamented is to invite misfortune. This book draws upon a variety of literary sources which focus on the sensuous body literature of court poets, hymns of saints and acharyas, and inscriptional verses to illuminate the world of sculpted and painted form. The book examines the coexistence of images of the sensuous and the sacred within the common boundaries of various “sacred spaces”. It also considers the apparent paradox of sensuous divinities in the context of the passionate poetry addressed to gods and goddesses by their closest devotees, the saints and acharyas. It explores the easy insertion of the gods into the world of men in a genre of non-sacred Rajput painted manuscripts. The Body Adorned is unique in bringing together visual and verbal material to generate an all-inclusive picture of the cultural ethos of pre-modern India.
650			_aArt
650			_aBeauty
650			_aHuman boby
650			_aHuman figure
650			_aIndian art
650			_aLiterature
942			_cBKS
999			_c784 _d784