000			01407nam a2200205Ia 4500
008			230203s9999 xx 000 0 und d
020			_a9780262693226
082			_aARCH _bSAD
100			_aSadler, Simon
245		0	_aArchigram: Architecture Without Architecture
260			_aCambridge _bMIT Press _c2005
300			_a252 _c22.71 x 1.42 x 22.71 cm _rPaperback
504			_aIn the 1960s, the architects of Britain's Archigram group and Archigram magazine turned away from conventional architecture to propose cities that move and houses worn like suits of clothes. In drawings inspired by pop art and psychedelia, architecture floated away, tethered by wires, gantries, tubes, and trucks. In Archigram: Architecture without Architecture, Simon Sadler argues that Archigram's sense of fun takes its place beside the other cultural agitants of the 1960s, originating attitudes and techniques that became standard for architects rethinking social space and building technology. The Archigram style was assembled from the Apollo missions, constructivism, biology, manufacturing, electronics, and popular culture, inspiring an architectural movement—High Tech—and influencing the postmodern and deconstructivist trends of the late twentieth century.
650			_aAesthetics
650			_aArchigram group
650			_aArchitecture
650			_aCriticism
650			_aInterpretation
942			_cBKS
999			_c877 _d877