000			01565nam a2200241Ia 4500
008			230203s9999 xx 000 0 und d
020			_a9783836537049
082			_aARTS _bDUC
100			_aDüchting, Hajo
245		0	_aDer Blaue Reiter/ The Blaue Reiter
260			_aGermany _bTaschen GmbH _c2016
300			_a96 _c8.4 x 0.5 x 10.3 inches _rHardbound
440			_aBasic art series
504			_aAlthough it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian émigré Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown. Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color.
650			_aArt
650			_aArt history
650			_aArt monograph
650			_aExpressionism
650			_aIndividual artist
650			_aModern art
650			_aPainting
942			_cBKS
999			_c922 _d922